Products: "Selhamin Clay-Poliment"

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Selhamin Premix is already prepared into a paste eliminating the need to crush and dissolve Dry Clay, making it easier for gilders who mix their own bole solution. Standard Bole Mixing Ingredients: 60% - Selhamin Premixed Clay. 37% - Water 2.5% - Rabbit skin solution. Coverage for this product is dependent on the thickness of application per layer, the ratio between water and Poliment and environmental conditions.

Selhamin Premix is already prepared into a paste eliminating the need to crush and dissolve Dry Clay, making it easier for gilders who mix their own bole solution. Standard Bole Mixing Ingredients: 60% - Selhamin Premixed Clay. 37% - Water 2.5% - Rabbit skin solution. Coverage for this product is dependent on the thickness of application per layer, the ratio between water and Poliment and environmental conditions.

Selhamin Premix is already prepared into a paste eliminating the need to crush and dissolve Dry Clay, making it easier for gilders who mix their own bole solution. Standard Bole Mixing Ingredients: 60% - Selhamin Premixed Clay. 37% - Water 2.5% - Rabbit skin solution. Coverage for this product is dependent on the thickness of application per layer, the ratio between water and Poliment and environmental conditions.

Selhamin Premix is already prepared into a paste eliminating the need to crush and dissolve Dry Clay, making it easier for gilders who mix their own bole solution. Standard Bole Mixing Ingredients: 60% - Selhamin Premixed Clay. 37% - Water 2.5% - Rabbit skin solution. Coverage for this product is dependent on the thickness of application per layer, the ratio between water and Poliment and environmental conditions.

Selhamin Premix is already prepared into a paste eliminating the need to crush and dissolve Dry Clay, making it easier for gilders who mix their own bole solution. Standard Bole Mixing Ingredients: 60% - Selhamin Premixed Clay. 37% - Water 2.5% - Rabbit skin solution. Coverage for this product is dependent on the thickness of application per layer, the ratio between water and Poliment and environmental conditions.