Products: "Clay"

An easily prepared size/adhesive for the adhesion of gold and silver leaf to Kolner Insta-Clay and Burnishing Clays. Disolve one measured teaspoon in two cups of lukewarm tap water to make gilder's liquor

Laser printed scanned image chart for comparative use only.

Laser printed scanned image chart for comparative use only.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf.

Black, pre-mixed

Lefranc Premix is already prepared into a paste making it easier for gilders who make their own bole solution. Note: this clay contains no binder and must be mixed with rabbit skin or gelatin glue to create a bole paste.

Yellow, pre-mixed

Lefranc Premix is already prepared into a paste making it easier for gilders who make their own bole solution. Note: this clay contains no binder and must be mixed with rabbit skin or gelatin glue to create a bole paste.

Selhamin Premix is already prepared into a paste eliminating the need to crush and dissolve Dry Clay, making it easier for gilders who mix their own bole solution. Standard Bole Mixing Ingredients: 60% - Selhamin Premixed Clay. 37% - Water 2.5% - Rabbit skin solution. Coverage for this product is dependent on the thickness of application per layer, the ratio between water and Poliment and environmental conditions.

Selhamin Premix is already prepared into a paste eliminating the need to crush and dissolve Dry Clay, making it easier for gilders who mix their own bole solution. Standard Bole Mixing Ingredients: 60% - Selhamin Premixed Clay. 37% - Water 2.5% - Rabbit skin solution. Coverage for this product is dependent on the thickness of application per layer, the ratio between water and Poliment and environmental conditions.

Selhamin Premix is already prepared into a paste eliminating the need to crush and dissolve Dry Clay, making it easier for gilders who mix their own bole solution. Standard Bole Mixing Ingredients: 60% - Selhamin Premixed Clay. 37% - Water 2.5% - Rabbit skin solution. Coverage for this product is dependent on the thickness of application per layer, the ratio between water and Poliment and environmental conditions.

Selhamin Premix is already prepared into a paste eliminating the need to crush and dissolve Dry Clay, making it easier for gilders who mix their own bole solution. Standard Bole Mixing Ingredients: 60% - Selhamin Premixed Clay. 37% - Water 2.5% - Rabbit skin solution. Coverage for this product is dependent on the thickness of application per layer, the ratio between water and Poliment and environmental conditions.

Selhamin Premix is already prepared into a paste eliminating the need to crush and dissolve Dry Clay, making it easier for gilders who mix their own bole solution. Standard Bole Mixing Ingredients: 60% - Selhamin Premixed Clay. 37% - Water 2.5% - Rabbit skin solution. Coverage for this product is dependent on the thickness of application per layer, the ratio between water and Poliment and environmental conditions.